We recorded a group performance in class inspired by Einsturzende Neubauten, an industrial group formed in 1980. We used every day objects and tools not created to be used as sound sources and manipulated them using pedals and multi FX units. A set of binaural microphones were placed in the centre of the room with contact mics connected to amps placed around it.

https://soundcloud.com/sam-nobbs/performing-sound-group-3-binaural-recording

Reflection:

When listening back to the recording it became evident to me how challenging it is to stop an improvised piece like this from becoming a complete chaotic cacophony. Being able to stop, think and listen while having a timeline in your head of what has just been played plus where could you fit in and add a sound here or there that is beneficial toward the piece is essential for improving with a narrative. Dynamic changes are heavily important in creating a story to a piece. It is very easy to crescendo in volume but very challenging to bring the volume back down. It’s inherently fun hitting random objects, making noises and experimenting. It’s akin to playing as a kid which is why I think it may have been difficult to decrease in dynamics as it goes against our nature as humans to play and experiment.

I also felt I was communicating and interacting through sound with other people in the room, it’s a way performers can interact with each other in a more personal way. I have been researching traditional Polynesian music recently and I think industrial music has a similar organic and generative feeling as this. Reacting to other people and the sounds they are making around you to create one cohesive piece.